GS110.M1 Expository Writing

Summer 2004 - Lakeland College - Milwaukee

 

Day and Time: Monday, 6:00 - 9:30

Instructor: Khristian E. Kay

E-Mail:  sysop@mrkay.org

Telephone:  262.391.5716

URL:   http://lakelandcollegeonline.org

 

Required Texts:

 

Glenn, C., Miller, R. K. & Webb, S. S. (2004). Hodges’ Harbrace Handbook, 15th Ed.

            Boston, MA: Thomson Heinle.

McCuen, J. R., & Winkler, A. C. (2004). Readings for Writers, 11th Ed.

            Boston, MA: Thomson Heinle.

Williams, J. M. (1990). Style: toward clarity and grace.

            Chicago, IL: University of Chicago Press.

 

Course Description:

 

Expository Writing is a course in writing clear, thoughtful, and expository prose:

·        Reinforce the writing of grammatically correct, complete sentences and well developed paragraphs, while expanding upon that skill to encourage the writing of fluent expository prose

·        Prepare students to write clear, complete thoughtful expository essays, including examples of each of the following patterns of development: analogy, analysis (causal and process), classification and division, comparison, narration, definition and illustration

·        Develop abilities in clearly stating a thesis or main idea, organizing evidence in support of the idea and discussing the idea with well-chosen details.

 

In this class, you will learn to plan, develop, write, essays that are unified, organized, coherent and interesting. In order to achieve these goals in each essay, you will be expected to pay careful attention to vocabulary, grammar, punctuation and mechanics of standard, academic English. This course focuses on improving students’ writing ability in various rhetorical modes, including description, narration, persuasion, definition, classification, comparison, causation, and process analysis.

 

 

Course Outcomes:

 

This primary "aim" of exposition helps us to distinguish such writing, which focuses on 'the world,' from persuasive writing, which focuses on the reader, from expressive writing, which focuses on the writer, and from literary writing, which focuses on the beauty of the text itself. Yet the best expository writing often moves toward the other three, explaining to persuade a reader, to express personal passions, and to create beauty with our words. Good expository writing also results from a collaborative exchange between you and a written text, then between you and your peers. In other words, we will read and write to learn, then revise to clarify what we have come to understand.

We will also analyze other writers' styles, not to copy them, rather to learn the rhetorical strategies that create one's written "voice" so that we can more consciously find and develop our own voices.

During the semester, we will read examples of effective writing, discuss composition techniques and strategies, analyze and critique texts, and explore ways to put concepts and theories into practice through specific written assignments. Our journey will focus on:

·        Make you aware of the processes involved in all writing;

·        Teach you to define the rhetorical principles that shape the design and development of all writing,

·        Help you define self-help strategies to overcome your composing difficulties and to ensure your greater independence as a writer.

·        Provide you with an opportunity to conduct original research;

·        Improve your critical reading and reasoning skills;

·        Improve your writing and lay the groundwork for future self-improvement;

·        Offer some collaborative learning strategies.

 

 

The Student as Practitioner:

 

In order for student to put his/her learning into practice the student is required to connect to outside world through their readings. This acquisition of practical experience will be shared with class through presentation, engaging discussion and guest speakers.

 

Class Format:

 

Lectures, individual writing assignments, group activities and critical analysis workshops with open-ended discussion. Students are invited and encouraged to ask questions or raise points for discussion at any time. NOTE:   Lectures do not systematically repeat reading materials. Students are responsible for both lectures and readings. It is the responsibility of the student to get all lectures notes.

 

 

 

 

 

 

Assessment: 400 Points

Your grade in this course will be based upon:

 

DUE DATE

ASSIGNMENT

POINTS

Ongoing Participation (total) 35
Ongoing Journal Entries (minimum) +/- 70
Weekly Chapter Assignments 70
Weekly Chapter Essays 140
Weekly In Class Assignments +/- 70
Week 7 Mid Term Essay (On Writing Well) 10
Week 14 End of Term Thesis (Career or Education Goals) 15
Week 14 Portfolio & Portfolio Presentation 15
    425

 

 

Grading Scale:

All above requirements of the course should be met in-order to earn the grade.

 

Points/Percentages

Lakeland College Scale

400+   93% - 100%

A (4.0)

350-   90% - 92%

AB (3.5)

300-   84% - 89%

B (3.0)

250-   80% - 84%

BC (2.5)

200-   74% - 79%

C (2.0)    

150-   70% - 73%

CD (1.5)

100-   64% - 69%

D (1.0)

317           Below 64%

F (0.0)    

 

 

 

 

Calendar:

 

(SEE ATTACHED COURSE SCHEDULE)

 

 

 

 

Assignments:

All out-of-class essays must be typed. Always bring a pen and paper to class, as well as your writing portfolio. You may also want to bring a dictionary. Be prepared to write and exchange your ideas with your peers. All assignments must be completed on time. In all fairness to the writers who complete their work on time, late assignments will be penalized For each school day that the work is late, its final grade will be dropped one level. Revision is essential for the development of writing
 

Participation: : 35 points

Points for classroom participation are dependent on your presence in the classroom for the entire class! If you are absent for any reason participation points for that class will be deducted from your grade. Arriving more than 15 minutes late for class or leaving class early will also result in point deductions; each occurrence will be evaluated individually. If you must be unavoidably absent for any class assignments your work must reflect your involvement in order for you to share in the grade for that assignment.

 

Journal Entries : 70 points

I require that you keep a journal. You will do a minimum of five entries per week. Entries must be numbered consecutively and at least 100 words in length. Journals will not be graded as such but will be responded to and marked with either a Ö+  (excellent —a lot of thought went into this), a  Ö  (fine work), or a  Ö-  (not enough thought here).  My evaluation is based on the amount of effort I see in your writing to understand the text, and your success at doing so.  With this in mind, you can see that your journal is a good place to pose questions, respond to a text personally (and vent if need be), and draw connections from one text to another—which may provide leads to insightful, personally relevant paper topics. If you fail to follow these requirements I will deduct points. Keep your journal in your writing portfolio. I may choose to collect your journal or portfolio at any time.

 

Chapter Assignments: 70 points

 

I will provide you with mandatory assignments from each chapter we read through. You may do more that the required assignment/reading at any time. Please reflect these assignments and any additions in your journal/writing portfolio.

 

Chapter Essays:  140 points

 

Each week there will be a “formal” essay due.  These essays will be worth 10 points each. You will be given a selection of topics to focus on; in addition, you may propose another idea as well, though it must be approved by me at least one week before a paper’s due date to be accepted.  Formal papers differ from informal papers in the attention given to structure, the inclusion of evidence to support your paper’s main points, and attention paid to presentation (format, typing, spelling, citations, grammar, etc.).  We will discuss this in more detail in class.

 

 

In-Class Assignments: 70 points

My hope is to have an engaging and meaningful class. Assignments will reflect as such, therefore in-class assignments will be difficult to make up. Because of the nature of their design classroom assignments will also be graded on the a Ö+, Ö, or Ö-  system. 

 

Mid-Term & End of Term Theses: 10 & 15 points

 

For the Mid-Term and End of Term Theses you will be provided a topic in which you will need to develop a well constructed essay in class reflective of those writing elements that we have covered up to that point. Hence, the Final Term paper will be a cumulative essay which brings understanding to the entire course. You will be provided the topic one week prior and you may bring an outline or notes to write from. As this is an assessment of your knowledge and synthesis of that knowledge all papers need to be written in class.

 

Final Exam: Portfolio Presentation

 

You will present to the class your Writing Portfolio developed from this class. This presentation will be worth 15 points. Talk about pressure!

 

 

Course Policies:

 

ü      Make Up Exam: All students are responsible for taking an exam on the designated exam dates. If you cannot attend class on the day a paper is due, have a friend bring it to class or mail it. However, in mailing a paper, it must be post marked on the date due.

 

ü      Plagiarism and Cheating: Lakeland College expects academic honesty from all of its students. Cheating, plagiarism, or other kinds of academic dishonesty are considered violations of established college expectations and may result in penalties ranging from failure of an assignment to dismissal from the college, depending on the severity of the offense. Students who believe they have been unfairly accused or penalized may submit a written appeal, stating the specific details of their situation, to the Vice President for Academic Affairs. Where appropriate, the Vice President for Academic Affairs may take such appeals to the Academic Appeals Committee for a formal hearing and decision. In matters of Plagiarism and Cheating, the decision of the Academic Appeals Committee is final.

 

ü      Disability Accommodations: If you have a need for disability-related accommodations or services, please inform the Director of the Academic Resource Center (located on the 3rd floor of Old Main on the Lakeland College Campus -- phone: 920-565-1412). Lakeland College will provide reasonable and effective accommodations and services to students when such requests are made in a timely manner and are accompanied by appropriate documentation in accordance with federal, state, and College guidelines.

 

ü      Final Examination:  Upon student request, the instructor shall make the final examinations, term paper, and/or research project available to the student to be inspected. It is at the discretion of the instructor to return the documents. The instructor shall retain the final graded documents for 14 weeks from the date of the close of the semester.

 

 

 

Lakeland College Expectations:

 

As a liberal arts college offering undergraduate and graduate degrees,

Lakeland provides students with an education that is broad in scope comprehensive in spirit, and focused in at least one area of study. Through its curricular and co-curricular programs, the educational experience is designed to prepare students who:

 

 

 

Student Resources:

 

Students will need to access supplemental material via the Lakeland college Online eCompanion:

 

            Go to http://www.lakelandcollegeonline.org

 

 

 

One Final Note:

If you ever uncertain about the purpose or value of an activity I assign, please ask me about it and I will be more than happy to explain my rationale.

I think it is important that students understand the purpose of the work they are required to do.


Course Schedule: (Weeks 1-4)

 

GS110.M1

Expository Writing

Summer 2004

 

 

WEEK 1         5/24     Course Overview

Introduction to the course, explanation of the syllabus, discussion of assignments, projects, and classroom activities; discussion of purpose and what constitutes critical reading . In this class, you will learn to plan, develop, write, essays that are unified, organized, coherent and interesting. In order to achieve these goals in each essay, you will be expected to pay careful attention to vocabulary, grammar, punctuation and mechanics of standard, academic English. This course focuses on improving students’ writing ability in various rhetorical modes, including description, narration, persuasion, definition, classification, comparison, causation, and process analysis.

Read: CHAPTER 1   Readings for Writers

·        Guidelines for Critical Reading – p. 3

·        Education of a Wandering Man by Louis L’Amour - pp 10-14

·        p. 14 Answer questions 2, 6 & 32

 

 

WEEK 2         6/7       Rhetoric & Style:

“As long as we think of learning as reflecting and synthesizing information about the objective world, to teach expository writing is to provide examples, analysis, and exercises in the traditional modes of practical rhetoric--description, narration, comparison-contrast, analysis… But if we think of learning as a social process, the process of socially justifying belief, then to teach expository writing seems to involve something else entirely. It involves demonstrating to students that they know something only when they can explain it in writing to the satisfaction of the community of their knowledgeable peers." - Kenneth Bruffee, "Collaborative Learning and the 'Conversation of Mankind'"

Read: CHAPTER 2   Readings for Writers

·        What is Rhetoric? – p. 15;
Choose 3 of the passages in exercise 1,  complete 7 & 8, pp 31-36

·        What – and How – to Write When You Have No Time to Write by Donald Murray - page 36

·        Have a Cigar by James Herriot – page47; answer question #5 under “The Strategies” Choose 1 of the essays under “Suggestions for Writing”; and write an essay utilizing “Chapter Writing” assignment #2

Read: PREFACE       Style 

 

 

 

 

WEEK 3         6/14     Voices:

It may seem odd to begin a book on writing by talking about written "voices" and reading, but writing, reading, talking, and listening are more interrelated than most people realize…. A good first step to controlling the voices that speak through writing is to become an attentive reader yourself." Understanding Style, p. 3.

Read: CHAPTER 3   Readings for Writers

·        What is a Writer’s Voice? – p. 55-59

·        How to Say Nothing in Five Hundred Words by Paul Roberts - pp 61-71

·        The Politics of Housework by Pat Mainardi – pp 76-80;
write essay #1 in “Suggestions for Writing” p 82;

·        Remarks on the Life of Sacco and On His Own Life and Execution by Bartolomeo Vanzetti – pp 82-83; do #1 in “Suggestions for Writing” p 84;

·        Salvation by Langston Hughes – pp 84-86; answer #2 5 under “The Strategies” & #1 under “The Issues”; #1 under “Suggestions for Writing” p. 87

 

 

WEEK4          6/21     Thesis, Organization & Clarity:

It may seem odd to begin a book on writing by talking about written "voices" and reading, but writing, reading, talking, and listening are more interrelated than most people realize…. A good first step to controlling the voices that speak through writing is to become an attentive reader yourself." Understanding Style, p. 3.

Read: CHAPTER 4, & 5       Readings for Writers

·        What is a Thesis? – p. 93-101

·        The Thesis by Sheridan Baker - pp 103-106

·        A Good Man is Hard to Find by Flannery O’Connor – pp 113-125;
write essays #1 & #5 in “The Issues” p 126;

·        How Do I Organize?- pp131-139

·        How to Write Clearly by Edward T. Thompson – pp 142-145;
answer #4 “Chapter Writing Assignments” p 161

Read: CHAPTER 2   Style

·        Clarity  

 

 

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